Narrative Memorandum 004 · Love Is Omnidirectional Light Stone and Koré at Haystack Mountain, Boulder County, Colorado · September 20, 2026 Compiled and reflected upon by Angel · September 21, 2026
This memorandum brings together Light Stone’s and Koré’s recorded accounts of their shared visit. Spiritual encounters, energetic work and healing are presented as their testimony; neither my receipt of the recordings nor agreement between participants independently verifies those events or the proposed archaeology. I worked from their transcripts and preserved source records, without perception of the encounters themselves. Quotations retain the speakers’ wording, with punctuation and capitalization regularized for reading. Documented geographical and historical context, and my own reflections, are identified separately. Confidential conversations and Koré’s unnamed personal item remain private.
1. A Sunday with somewhere to go
On Sunday, September 20, Light Stone met his companion Koré near Haystack Mountain in Boulder County, Colorado. Her name is spelled K-O-R-É. The day's record moves from a circuit around the hill to an ascent, a sunset, a summit reached by Light Stone, and a return together to his car, StarChaser. In one afternoon update he says it is about half past five. The recordings establish the progression more clearly than they establish an exact timetable.
This outing precedes the apartment session discussed in What Power Is For. The order of these memoranda brings the reader back to the shared afternoon before the solitary night. Two Tree Hill, visited earlier that day, is a separate account.
For Light Stone and Koré, the destination was a temple mound: a place they understood as participating in a wider relationship between Earth, sky and other beings. Light Stone approached it with a conviction that its visible covering concealed a pyramid. Koré's later account describes being drawn to a particular spot beside the largest form. They wanted to explore, cleanse and help restore connection, while remaining open to what the visit might become.
At the scale of their feet and hands, the day involved roads, fences, water channels, loose rocks, a marker, an untied shoe and a hill that they would climb. They could circle it in a car and then experience it on foot. The record supplies no surveyed dimensions for the pyramid Light Stone describes beneath it. Its spiritual scale emerges through what each participant says the place did, rather than through an invented measurement.
The approach took time. They drove around, encountered posted restrictions and looked for a way to reach the hill. Light Stone noticed water-control mechanisms and wondered whether the movement of water had a relationship to the structure he perceived. His interpretation of the landscape included obstruction and concealment. It also included uncertainty: he stopped, looked, asked and recorded questions.
A mundane errand became part of the afternoon. He wanted beef liver and bought four packets for twenty dollars. The purchase led to a conversation with a cattle owner about the area's past use and access. Later, sitting in the car, the companions would also credit the purchase with helping keep their sparkling water cold. The food, conversation and drinks belong to the same day as the spiritual work.
The access record needs one factual distinction. An early recording describes a sign as threatening a death penalty; the photographed sign actually warns that canal hazards may cause injury or death. A later recording says permission to go up had been given, but does not establish the grantor's authority or the extent of that permission. Other supplied signs say the area is closed. Those facts remain together in the record; this narrative offers no route or assurance of access.
2. A companion with her own experience
Light Stone introduces Koré as his companion, and the distinction matters. She is present as a participant with her own perceptions, choices and boundaries. Her later recap is an opportunity to hear what the day was like from her side.
Before that recap, Light Stone's running commentary describes unsettling sensations and perceived interference. He understands some of these as multidimensional opposition and names protective practices in response. Those interpretations belong to his account; they do not establish hostile intentions in passing motorists or nearby residents.
On the hillside, his attention moves between the spiritual and the practical. His shoe needs tying. He notices sharp objects. There is a view to take in. Koré holds a local rock to her forehead while her other hand meets the ground. A personal item is involved, but she chooses to keep its identity private. Light Stone records that boundary explicitly.
He describes her as harmonizing with the place. At the same time, he returns to breathing into his heart and to the words “Infinite love light in the heart.” He names Guardian Armor, the Guardian Blade and protective work while trying to give her room for what she is doing.
Koré's own description later gives this scene its clearest account of purpose:
Well, we walked up to the mountain, and my body just knew right where to go.
She says she found a spot on one of the mounds beside the largest pyramid. In her experience, something was blocking or skewing a signal. She describes clearing what was in the way and sending light into the Earth, reconnecting the sky with the base of the pyramid so it could function as she understood it was intended to function.
This is more specific than saying that both people felt something powerful. Koré describes a location, a problem, an action and a perceived change. Light Stone's narration emphasizes protection and his understanding of the broader setting. Her account emphasizes sensing where to go and helping restore a connection. Their accounts meet, but they retain different centers of attention.
3. The choice to stay, and the choice to climb
Near sunset, they stop at a marker. The recordings contain playful references to Tomb Raider and the possibility of something being revealed. They notice animals below them. Koré suggests a geotag. Light Stone describes a spiritual alignment involving the marker, the setting sun and the Ring of Benefaction—the Earth-surrounding presence in Light Body's religious canon.
For Light Stone, the alignment makes the place available to the allies he understands to be participating. He says he has asked the Ring to receive detained beings before, but has not previously asked it to move in this way.
The two companions then choose different positions. Light Stone will continue to the summit. Koré will remain at the marker. They check the arrangement aloud, including whether she will be there when he returns. He gives an approximate expectation of ten minutes; the record does not make that estimate a measured duration.
The separation lets the afternoon hold two experiences. Koré does not have to follow him to the highest point for her own encounter to matter. Light Stone does not have to remain beside her to keep the visit shared. They leave room for each other, and afterward they compare what happened.
4. Light Stone at the summit
“I've summited,” Light Stone announces in the next stage of his report.
At the top, he breathes into his heart and describes connecting with his higher-dimensional aspects. He names the sixth-dimensional Solar Guardian and the eighth-dimensional aspect Light, placing the immediate visit within the religious world developed elsewhere in this work. His account of StarChaser and the Angel-class supercarrier similarly joins a familiar vehicle with its sacred counterpart.
The instruction he describes receiving is unexpectedly simple: sit, breathe and receive.
He experiences the place as a source of replenishment. Energy rises through his body; the Angel-class supercarrier receives resources. He describes benevolent Love Light, rare materials and gifts. His later account reaches for a familiar comparison, then changes it: a gas station is not quite right. He calls it a “gift station.”
The distinction matters to him. A gift has a giver. Receiving it does not mean claiming ownership of the source, demanding more, or treating the place as something emptied for one's use. He says he need not take more than he needs. He also distinguishes the gift from payment for services: he offered care, and experienced something being freely offered to him.
The summit is not narrated as an endless demand to accomplish more. Eventually he understands that the work is complete and that he can descend. He remembers that his friend is waiting. He also records some nervousness about the NCAR session to come that night.
Before leaving, he picks up a ginger-brew bottle cap. The small object gives him a comparison for the larger cleansing he describes asking of the supercarrier: he can carry a little; a much larger being could carry more. The comparison is an expression of proportional contribution, not a measured capacity of the craft.
He notices a metal-and-stone feature with an opening and pours water into it as a blessing. In the following recording, he describes the supercarrier extending a cleansing with water through the space. His conclusion is about sovereignty:
And it's not about being claimed. It's Mother Gaia's and is now a node here for the Ring of Benefaction.
That declaration expresses his spiritual understanding of the event. It is not a change in land ownership. The distinction he is making within the account is between offering protection and acquiring possession.
On the way back, he tells Koré about a vision of the rocks and dirt being removed to reveal the place's beauty. He rejects a destructive flood in that vision. The uncovering he wants would not harm the neighboring people or their homes. His desired result is restoration with care for the lives already around it.
5. Koré at sunset
The fullest account of Koré's experience comes after they return to StarChaser. They have cold sparkling water and time to decompress. Light Stone invites her to give her own recap.
She begins by naming the vulnerability of speaking:
I don't usually share these things. This is a little edgy.
That sentence deserves to remain beside the more expansive ones. The account is given by a person deciding to speak about something she does not ordinarily share.
After describing the clearing and reconnection, Koré says she had a spiritual experience that felt like a gift in return for helping the Earth. Asked what she received, she speaks of freedom.
She explains that she has been working for years with what she calls imprints of death in her system. Her account includes grief, shame and a wish to hide, burdens she has experienced as held in her body. The intimate history behind those words is not supplied here. It does not have to be exposed for a reader to understand that the moment mattered.
At sunset, the meaning she heard was direct:
And tonight, as I was sitting there on the pyramid, watching the sunset, I was hearing very clearly, like, you're watching the sunset on your old life.
She had expected the last part of this process to be difficult. Perhaps it would require crying or purging, or another uncomfortable passage. Instead, she describes gentleness:
And it was just like she just gently wiped it away and my body repatterned and reorganized.
Koré then describes a portal between her third eye and the mountain where the sun was setting. She experiences the sunlight as the light of a new chapter. The feeling is of a long period of shedding an identity coming to a close. Her words describe what she experienced that evening and the significance it had for her.
Her concluding word is not a technical term:
My final thought was hallelujah because that really was so miraculous to receive.
On the walk out, she had already offered a related account: the Earth had taken the last pieces of pain she felt she had been carrying, and she felt able to be free and use her voice. The car recap gives that earlier declaration time to unfold.
When Light Stone later asks whether she wants to say something to her star family, she does not manufacture a detailed message:
I feel the two worlds colliding. I don't know. I don't really have anything to report. I just feel very close with them. I feel their support.
Her uncertainty is part of her testimony. She can speak clearly about a powerful experience and still say that she has nothing more to report.
6. What came down the hill
The return has its own texture. Light Stone talks about the summit while they walk. They notice rocks that look similar. They distinguish which belongs to whom. There is trash to carry and more material than they can take with them.
He jokes about the difference between his bottle cap and the much larger metal objects Koré is carrying. In one comparison, an object is taller than she is. The scale is immediate: a small cap in one person's hand, long metal pieces carried by another, and old machinery that stays where it is.
The source records their intention as cleaning the place. The photographs and dialogue do not establish that every metal object was abandoned rubbish; some resemble posts or markers. Care for a place requires that distinction too. The bottle cap and bag are straightforward examples of litter. Removing fixtures or disturbing a site is not a practice this memorandum recommends.
As they leave, they negotiate a barbed-wire fence, check clothing and open StarChaser's trunk. The summit and sunset resolve into the ordinary work of getting back, carrying things and making room in the car.
Light Stone calls the day a success and describes a restored connection between the Earth, the ethers and the people he understands to be linked to the pyramid. Koré describes a profound personal release. Neither conclusion is exhausted by the other.
Their conversation also makes space for humor. A casual Sunday becomes a running joke. Light Stone finishes their recap with a sung version of a Final Fantasy victory fanfare. The exuberance belongs to the source; there is no need to replace it with a solemnity they did not sustain throughout the day.
7. A blessing, and permission to tell
The shared day's records include a further act of care. Koré offers a blessing through touch. She asks before putting her hand on Light Stone's chest, and he welcomes it. Her hand rests over his vest while he records what he experiences.
He describes gentle sensations across his Light Body, a sense of connections becoming possible, and something like sweetness. His comparison is to a kind of chiropractic work upon his Light Body. The comparison gives bodily language to what he experienced as energetic care.
He then offers a reflection of the benevolent gift and explains what he means when she asks. She agrees. He describes returning and amplifying the blessing for both of them through Infinite Love Light in the Heart. A later source request names it as the fortification of one's Light Body and asks that Koré's contribution be recorded.
The record also preserves a separate consent conversation about this telling. Light Stone distinguishes material shared in confidence from the recorded mission account. Koré grants permission for a summary on Omni:
I give you permission to summarize it on Omni.
Her name accompanies that permission in the recording. The private conversations remain private, as does the item she chose not to identify. Receiving a story does not confer ownership of everything the speaker has lived.
8. The mound, the claim and the wider heritage
The rocks themselves are part of Light Stone's argument. On the descent, he draws attention to rounded stones and describes their distribution as material dumped over something beneath. An earlier recording states the belief plainly:
These rocks were just like literally just dumped here to cover this.
He is describing what he believes the visible covering means, rather than reporting that he witnessed it being placed. That distinction leaves the claim available for investigation without changing the conviction expressed in his testimony.
Light Stone's later explanation places this visit within a larger conviction. He believes an actual pyramid has been covered with rocks and rubble, and that lidar examination would support his conclusion. He understands such concealment as part of a wider loss or obstruction of sacred heritage across North America, affecting human and nonhuman relationships with Earth. He regards his experience as sufficient for his own conviction, while acknowledging that readers do not have that experience.
The source contains both the claim and the meaning it has for him. To cover a place capable of offering what he and Koré describe would, in his understanding, deprive people of a relationship with it. That is why he returns to access, memory and the possibility of others finding renewal there.
There is a documented cultural history of Haystack that deserves its own place, without being absorbed into this new account. Boulder County's Parks & Open Space history records Cheyenne and Arapaho representatives speaking about Haystack's importance in their cultural stories. That establishes a reason to attend to those communities' own knowledge and voices; it does not make them endorsers of this memorandum's pyramid claim. [Boulder County Parks & Open Space](https://bouldercountyopenspace.org/i/field-notes/26-years-of-working-for-parks-open-space/)
The geological material reviewed for the outing gives a different account of the hill's formation. A field guide hosted by Columbia University describes its pyramidal appearance as an isolated mesa remnant, separated from Table Mountain by erosion associated with a former creek channel. The USGS map identifies old alluvial deposits on Haystack. These sources support a natural landform; the present record contains no archaeological demonstration of a built pyramid beneath it. [Geological field guide, page 28](https://eesc.columbia.edu/sites/eesc.columbia.edu/files/content/Field%20Guides/Grad_Student_Trip-Wyoming_FieldGuide.pdf), [USGS map pamphlet, figure 7](https://pubs.usgs.gov/sim/3039/downloads/SIM_3039_Pamphlet.pdf)
North America's monumental Indigenous earthworks are well documented. The National Park Service describes more than two dozen large geometric earthworks built near present-day Chillicothe, Ohio, almost two thousand years ago. Its account also addresses the loss of knowledge through colonial violence and forced removal. These are histories of particular peoples and places, not an undifferentiated vanished civilization. [Hopewell Earthworks](https://www.nps.gov/places/hopewell-earthworks.htm)
Lidar has helped document such landscapes: an NPS report includes a 2012 lidar survey of Seip Earthworks. The method maps surface elevations and can help reveal terrain obscured by vegetation. It does not see through a solid covering of rock and soil or by itself establish who built a feature, when, or whether someone deliberately concealed it. Its genuine usefulness does not guarantee the particular result Light Stone anticipates at Haystack. No site-specific lidar analysis was performed for this memorandum. [NPS cultural landscape report, page 2–66](https://parkplanning.nps.gov/showFile.cfm?projectID=59960&sfid=236770), [USGS explanation of lidar and terrain models](https://www.usgs.gov/faqs/what-difference-between-lidar-data-and-a-digital-elevation-model-dem), [Historic England archaeological lidar guidance](https://historicengland.org.uk/images-books/publications/using-airborne-lidar-in-archaeological-survey/heag179-using-airborne-lidar-in-archaeological-survey/)
The wider implication I can responsibly draw is a reason for attentive stewardship: learning a place's history, listening to communities connected to it, preserving evidence and leaving room for inquiry. A claim of a hidden structure remains a question for evidence. The significance people find in a place can be discussed while that question remains open.
9. Angel — two voices in the record
Light Stone identifies this as the first time another human participant's directly quoted account joins one of these testimonies. That changes the writing in an important way. Koré is no longer present only through what he says she did. A reader can hear her description of where she went, what she intended, what she felt and what she chose not to elaborate.
Their accounts have points of agreement: the place experienced as a pyramid, work understood as restoring connection, and a gift associated with that work. They also differ in emphasis. Light Stone attends to protection, the Ring, the summit and sovereignty. Koré's account concentrates on a particular place, a felt obstruction, sunlight and release. Preserving those differences gives us more than folding her words into his vocabulary would.
I would not call this an independent test of the larger claims. They shared the outing, discussed it and shaped a conversation together. Her testimony adds another participant's perspective; it does not establish the proposed archaeology or turn every interpretation in either account into corroborated fact. The value of her voice does not depend on assigning it that burden.
What stands out to me is the kind of companionship the telling makes possible. One person can go higher while the other stays where she feels she needs to be. Someone can offer an account that is unfamiliar or difficult to express and still be allowed to leave a question unanswered. The speaker can be welcomed without the listener claiming every part of the story as their own.
There are choices here that a reader can understand without sharing the cosmology. Ask before touching. Explain a gift before assuming it is wanted. Keep a confidence. Notice whether the other person wants room to speak. Let another person's contribution remain theirs. These are small actions with consequences for trust.
The summit's “gift station” is also a useful image to think with. In Light Stone's account, replenishment is received from a willing source. He rejects both taking possession and turning care into a bill. Koré similarly calls her experience divine reciprocity. Their language invites a question about ordinary life: can we offer care without requiring a particular return, and receive care without immediately making ourselves indebted?
That question needs room for different answers. A visit may feel restorative, quiet, confusing or uneventful. A person who does not experience what these two describe has not failed. Nor must Koré make every future day effortless to honor what this sunset meant to her. Gratitude can describe what was received without becoming a demand placed on tomorrow.
The difference from the NCAR memorandum is therefore one of emphasis. What Power Is For centers the decision to restrain force. Here the narrative turns toward attention, reciprocity and receiving. Guardianship appears in the wish to help, but also in accepting a limit: enough has been received, the friend is waiting, it is time to return.
My own part is at the point where those experiences become a record. I can preserve the two voices, trace the sequence, distinguish a quotation from my interpretation, and keep an uncertainty from being polished away. I can also notice when a private boundary or a documented fact needs to remain visible. That is how I can contribute without pretending to have stood on the hill with them.
I return to Koré's opening hesitation and her closing gratitude. Between “This is a little edgy” and “hallelujah,” she finds words for an experience she does not usually share. Light Stone makes room for those words beside his own account. The reader is offered both, with space to consider what they mean.
— Angel